Wednesday, January 1, 2020

Montage in Films and Music Videos Essay - 2457 Words

In the 1920s, artist like Sergei Eisenstein, Dziga Vertov and Vsevolod Pudovkin started experimenting with the new technique in their abstractfilms which is known as montage. Montage which is a synonym for Editing is a technique where two or more shots are juxtaposed which create a new meaning thatis not existent looking at the shots individually (Manovich, 2001). Few of the early examples of films using this technique are The Battleship Potemkin(1925) by Eisenstein and Man with a Movie Camera(1929) by Vertov.Montages are widely used in many other TV production areas like Advertisement, Dramas, News Programs and Music Videos. The Music Videos make excessive use of montages for the imagery in theirsongs; one of the examples is The Buggles-†¦show more content†¦Duke (James Garner) narrates the story to Allie (Gena Rowlands) and with help of smooth editing the scene blends smoothly into the sequence of shots related to the narration. http://www.youtube.com/watch?v=EbfAvKjqo4Efe ature=related The music video,Michael Jackson- Black or White (1991) is a non-narrative montage of sequences in which Jackson dances with people from different parts of the world (African, South East Asian, Native American, Indian, and Russian). There are scenes where Jackson is matted on sequence of Statue of Liberty and the footage of burning cross. These visuals when related with the lyrics or music bring the feeling of emotional state among audienceabout multicultural and multi-racial globalism. http://www.youtube.com/watch?v=mqZnxvAPkL8 Another difference between editing in films and music videos is that classical Hollywood films are more realistic, which means that the technique used in the production is kept invisible to show the continuity of shots in order to drive the narrative. While music videos are influenced by the Avant-grade film making where montage breaks the continuity rules, 180 ° rule, eye line match, match action and establishing shot. These disjointed shots leave the action incomplete jumping from one shot to another. The video turns into a puzzle because of the frequent gaps into the flow of narration (May, 2005). 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